Thursday, December 30, 2010

Aquarium Photography

I recently took my camera down to the Sandy Aquarium not too far from where I live. Despite bringing some of the fastest glass I have access to (50mm f/1.4, 85mm f/1.8, 100mm f/2.8 Macro), I was maxing out my skills at holding a camera steady, even on a monopod at 1600 ISO.

Many aspects of my photography still have a "trial & error" approach, but I can't remember the last time I shot so many pictures with such a low percentage of keepers. I think I had 2.5 keepers from the close to 200 shots I took.

Along the way, I learned a few valuable lessons about aquatic photography that I figure I'll pass along to you guys. But first, the pictures.




Lionfish
Aperture: f/2.8
Shutter Speed: 1/160
ISO: 1600
Focal Length: 100mm
Monopod






Cayman
Aperture: f/4
Shutter Speed: 1/30
ISO: 1600
Focal Length: 100mm
Monopod



The first thing I picked up pretty quickly was that you need support. I am somewhat of a perfectionist with the technical aspects of my photography. Therefore, high ISO settings, motion blur, etc. really bother me. I don't like shooting at ISO 1600 when I can avoid it, but I couldn't here. A tripod really would have been the best choice, but I didn't bring mine. A monopod was a fair tradeoff. Even with really fast glass and a maxed-out ISO setting, I was getting barely usable shutter speeds for most of the aquariums. The other tip I can give you is to use a rubber lens hood. This enables you to support the end of your lens against the glass of the aquarium, giving you a couple of advantages. First, it's another point of support, turning your monopod into a bipod. Second, if you're shooting perpendicular to the glass (more on this later), it blocks out light from the edges and helps prevent glare.

Another important aspect to pay attention to is white balance. The different aquariums all had radically different lighting. Definitely shoot RAW. I left my WB on Sunny and just fixed the keepers later in Lightroom. If you are going to shoot JPG, try a few different settings on each aquarium to see what works best for the image you're trying to achieve.

Focusing was the most frustrating aspect for me to get down during the shoot. There was rarely enough light in the aquariums even for my USM AF drives to lock onto something. I ended up manually focusing most of the time. I was continually finding myself unable to achieve sharp focus at all, even on completely static subjects. Eventually I figured out that any kind of curved glass is likely going to nuke your ability to achieve perfect focus. On aquariums with flat glass, you have to shoot as close to perpendicular through the glass as possible. The steeper the angle you are trying to shoot through, the more the glass is distorting things and it doesn't take long to ruin your ability to achieve perfect focus.

So to sum things up:

-Shoot supported, using a rubber lens hood if possible.
-Pay attention to WB.
-Focus manually whenever necessary.
and
-Shoot through glass at a 90° angle whenever possible.

Happy shooting!

Monday, November 29, 2010

My Guitar

I don't recall if I've posted about my guitar on this blog or not, but I finally generated a nice photo of it.


Long story short, I started building a custom guitar for myself about 18 months ago (last July). Lots of things like school, etc. got in the way of my having as much time as I wanted to work on it, so it took a really long time. But now it is very nearly finished. I am expecting to sand flat the last 10 coats of lacquer and then cut polish to a finish this Wednesday.

But for the time being, the guitar looks awesome in the sunlight. The slightly excessive amount of lacquer on it is extremely reflective, but not yet flat; so the reflections take on interesting textures.



Star Guitar
Aperture: f/2.8
Shutter Speed: 1/125
ISO: 100
Focal Length: 50mm
Handheld



I'm proud of the guitar, and have been enjoying playing it—the tone worked out to be exactly how I planned it back when I was first selecting my materials.

Wednesday, October 27, 2010

Shooting a Ghost Town

Not far out of Death Valley, there's a small ghost town called Rhyolite. It's the first opportunity I've had to shoot anything like this, and I really really enjoyed it. The ruins really made for some awesome black and white shots, and the clouds were being particularly cooperative.

At any rate, here's my favorite shot from there, although to be fair, I haven't tried editing any of the others yet.



Ruins
Aperture: f/8
Shutter Speed: 1/250
ISO: 100
Focal Length: 18mm
Monopod



Depending on the weather (it snowed 4 inches here last night), I may try to hit a bunch of ghost towns in Utah and do some photography.